I created a remix of Jay-Z's "Dirt Off Your Shoulder" (2003) from The Black Album
with Taylor Swift's "Shake It Off (Taylor's Version)" (2023/2014) from 1989 (Taylor’s Version).
I'm calling it "Shake That Dirt Off Your Shoulder."
art criticism/theory, art hxtory, hxstory, communication, screenwriting, poetry, non-fiction, literature, philosophy, psychology, sociology, anthropology, interactive + graphic design, typography, architecture, film/video, photography, painting, drawing, screenprinting, ballet, figure skating, violin, guitar, singing/songwriting, piano, indie-rock, classical music, acting, fashion, travel, politics, economics, statistics, German, French, Spanish, Mandarin, vegan/vegetarianism, activism
I created a remix of Jay-Z's "Dirt Off Your Shoulder" (2003) from The Black Album
with Taylor Swift's "Shake It Off (Taylor's Version)" (2023/2014) from 1989 (Taylor’s Version).
I'm calling it "Shake That Dirt Off Your Shoulder."
I’ve been working on an art project that explores neoliberalism through music and had the idea to mix Dolly Parton’s “9 to 5” (1980) with Britney Spears’s “Work B**ch” (2013). I read scholars discuss generations of feminism so I wanted to put feminism and post-feminism in conversation with each other. It was surreal that I worked on it in the morning/afternoon only to realize that Dolly Parton had passed away while I had been thinking about her all day! What a loss. Editing a song she released before I was born, she is still part of the ongoing conversation about women working for equality.
Image credits:
Biography.com Editors. “How Dolly Parton Wrote Her Working Woman's Anthem, '9 to 5.'” Biography.com. Last modified June 24, 2020. https://www.biography.com/musicians/dolly-parton-9-to-5-theme-song.
Spears, Britney. “Work Bitch.” Track 2 on Britney Jean. RCA Records, 2013, streaming audio. Spotify. https://open.spotify.com/track/3KliPMvk1EvFZu9cvkj8p1.
I had the privilege to print at the letterpress studio at the Copper Country Community Arts Center in Hancock, Michigan, in March and April of 2026. What a pure joy!
April 17, 2026
Photography by Varsha V.K. and Emma
Full playlist of Neoliberal Loops.
_art_in_silico COMPUTATIONAL ART SHOW
April 16, 2026
https://www.mtu.edu/icc/events/art-in-silico/
Play 4 videos simultaneously: Videos 1, 2, & 3 + soundtrack
Soundtrack:
Video 1:
Video 2:
Video 3:
Soundtrack
Video 1
Video 2
Video 3
I am interested in the tension between universal narrative and individualized lived experience.
My work explores mundane and idiosyncratic details that reflect society. Neoliberal Loops explores neoliberalism, postfeminism, and the economic precarity of the 2008 Recession in the United States. The first day of this art exhibition marks the fifteenth-year anniversary since Occupy Wall Street protesters occupied Zuccotti Park. Additionally, economists say that recessions under capitalism come about every fifteen years. Therefore, this subject matter is timely and deserves our attention.
To explore this topic, my goal is to defamiliarize the familiar through mediations that create room for what Rancière would terms a “rupture.” My goal is that this rupture will open up a discussion. Neoliberal Loops includes music/sound and digital video, photography, stop animation, texts and images on moving LED signs, and letterpressed ink on paper. Whatever medium the idea demands determines the materiality.
I am influenced by personal experience and academic scholarship. We all experienced the recession viscerally in our individual ways. There are also scholars who can shed light and contextualize this period. Visual culture scholar Nicolas Mirzoeff proposed Visuality 1 and 2 based on historian Dipesh Chakrabarty’s concept of History 1 and History 2. This project takes the concept of rhetorician Kenneth Burke’s concept of revealing and concealing information about an event but expands the concept of text into the realm of visuals and sound. My goal is to mediate the concept of neoliberalism in a way that provides opportunities for new meanings and understandings of neoliberalism. Mirzoeff and film scholar Jill Godmilow critique the limitations and affordances of visual culture. I took what they have theorized and put it into practice to test and challenge their theories.
The Neoliberal Loops project features related works on the theme of the 2007-2009 financial crisis. I reflect on capitalism, feminism, and representation, and grapple with this material in a visceral way. I invite viewers to reflect on neoliberalism, which often seems as natural as the air we breathe, to open up a dialog about how representations of neoliberalism shape our understanding of it and how we might envision other possibilities for living differently.
This art exhibition was also an opportunity to receive guidance from Michigan Technological University’s Math and Music Lab (MML) co-directors Robert Schneider and Michael Maxwell for the Neoliberal Loops soundtrack. Combining math and music was an alternative way to view and viscerally experience the 2008 Recession.
These alternative ways of mediating history I view as avenues to new insights. That is, we view the phenomena, e.g. neoliberalism, in the same ways that results in its normalization. By viewing phenomena differently, it opens up new possibilities for discussions. With scholars Wendy Brown warning that neoliberalism is eclipsing democracy and Hannah Arendt insisting that people must come together in public conversation to affect politics, viewing neoliberalism differently is imperative.
– Emma C. Johnson, 2026
Works referenced:
Arendt, Hannah. “Action.” In The Human Condition. Chicago: University of Chicago Press, 1958.
Brown, Wendy. Undoing the Demos: Neoliberalism’s Stealth Revolution. Brooklyn, NY: Zone Books, 2015.
Chakrabarty, Dipesh. “The Two Histories of Capital.” In Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton, NJ: Princeton University Press, 2000), 47-71.
Godmilow, Jill. Kill the Documentary: A letter to filmmakers, students, and scholars. New York: Columbia University Press, 2022.
Mirzoeff, Nicholas. The Right to Look: A Counterhistory of Visuality. Durham, NC: Duke University Press, 2011.
Rancière, Jacques. The Politics of Aesthetics: The distribution of the sensible. Translated by Gabriel Rockhill. London: Continuum, 2000.
The second project will include truisms based on the style of Jenny Holzer, Barbara Kruger, and Birgit Brenner on the subject of neoliberalism and feminism. There will be numbers running on LED lights interspersed with 100 (or 365) truisms such that when text appears it is a surprise to the audience.
An example of text on an LED screen in Jenny Holzer’s work. https://www.hauserwirth.com/resources/2721-jenny-holzer-softer-targets/
e.g. of Neoliberal Truism by Emma Johnson:
HAPPINESS IS CAPITALISM
Beginning programming: